This year a new Hungarian film, White God, has been touring the
festival circuit. It’s about an abandoned mongrel whose trusting nature is
repeatedly tested by abuse and cruelty. The result: what had once been an
endearingly naughty pooch turns into a very bad dog.
White God could be an allegory about Hungary—a
proud creature, kicked around and abused, diminished and blamed, that
eventually lashes out in fury. Or maybe it’s about how Hungary has treated some
of its own since the second half of the nineteenth century—assimilating them,
but forever suspecting them of betrayal; marginalizing them, persecuting them
outright, or even killing them. And so, as in the film, the odd victim leaps up
to tear out the jugular of a Hungarian guard in a single snap.
This tortured sense of intractable antagonism was the
lifelong preoccupation of the Hungarian thinker and former statesman, István
Bibó. Born in Budapest in 1911, Bibó spent most of his life trying to divert
the states and peoples of Central and Eastern Europe—and, above all, his native
country—away from the extremes of enraged self-pity and self-righteousness and
toward responsibility. At the same time he sought to sensitize the Great Powers
to the miseries that fed these extremes. As he wrote in 1946, “Men are most
wicked when they believe they are threatened, morally justified, and
exonerated, and particularly when they feel they are entitled and obliged to
punish others.”
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